Sunday, December 5, 2010

Photographers and Their Iconic Photos

The Mahatma, 1946
By Margaret Bourke-White
"I feel that utter truth is essential," Margaret Bourke-White once said of photography, "and to get that truth may take a lot of searching and long hours." This approach to the craft is, it can be said, Gandhi-esque, so perhaps it is fitting that the Mahatma, who spent many long hours searching for answers, was one of her regular subjects in the 1940s. Here, the great man of peace is at his spinning wheel in Poona, India.
Birmingham 1963
By Charles Moore
For years, Birmingham, Ala., was considered “the South’s toughest city,” home to a large black population and a dominant class of whites that met in frequent, open hostility. Birmingham in 1963 had become the cause célèbre of the black civil rights movement as nonviolent demonstrators led by Rev. Martin Luther King Jr. repeatedly faced jail, dogs and high-velocity hoses in their tireless quest to topple segregation. This picture of people being pummeled by a liquid battering ram rallied support for the plight of the blacks.


Breaker Boys1910
By Lewis Hine
What Charles Dickens did with words for the underage toilers of London, Lewis Hine did with photographs for the youthful laborers in the United States. In 1908 the National Child Labor Committee was already campaigning to put the nation’s two million young workers back in school when the group hired Hine. The Wisconsin native traveled to half the states, capturing images of children working in mines, mills and on the streets. Here he has photographed “breaker boys,” whose job was to separate coal from slate, in South Pittston, Pa. Once again, pictures swayed the public in a way cold statistics had not, and the country enacted laws banning child labor.
Execution of a Viet Cong Guerrilla 1968
By Eddie Adams
With North Vietnam’s Tet Offensive beginning, Nguyen Ngoc Loan, South Vietnam’s national police chief, was doing all he could to keep Viet Cong guerrillas from Saigon. As Loan executed a prisoner who was said to be a Viet Cong captain, AP photographer Eddie Adams opened the shutter. Adams won a Pulitzer Prize for a picture that, as much as any, turned public opinion against the war. Adams felt that many misinterpreted the scene, and when told in 1998 that the immigrant Loan had died of cancer at his home in Burke, Va., he said, “The guy was a hero. America should be crying. I just hate to see him go this way, without people knowing anything about him.”

 Migrant Mother 1936
By Dorothea Lange
This California farmworker, age 32, had just sold her tent and the tires off her car to buy food for her seven kids. The family was living on scavenged vegetables and wild birds. Working for the federal government, Dorothea Lange took pictures like this one to document how the Depression colluded with the Dust Bowl to ravage lives. Along with the writing of her economist husband, Paul Taylor, Lange’s work helped convince the public and the government of the need to help field hands. Lange later said that this woman, whose name she did not ask, “seemed to know that my pictures might help her, and so she helped me.”



Raising the Flag on Iwo Jima  1945
by Joe Rosenthal
is an historic photograph taken on February 23, 1945, by Joe Rosenthal. It depicts five United States Marines and a U.S. Navy corpsman raising the flag of the United States atop Mount Suribachi during the Battle of Iwo Jima in World War II.
The photograph was extremely popular, being reprinted in thousands of publications. Later, it became the only photograph to win the Pulitzer Prize for Photography in the same year as its publication, and came to be regarded in the United States as one of the most significant and recognizable images of the war, and possibly the most reproduced photograph of all time.


The Falling Soldier 1936
by Robert Capa
The Falling Soldier is a famous photograph taken by Robert Capa, understood to have been taken on September 5, 1936 and long thought to depict the death of a Republican, specifically an Iberian Federation of Libertarian Youth (FIJL) soldier during the Spanish Civil War, who was later identified as the anarchist Federico Borrell García. Capa is known for redefining wartime photojournalism. His work came literally from the trenches as opposed to the more arms-length perspective that was the precedent previously. He was famed for saying, "If your picture isn't good enough, you're not close enough."

Moon and Half Dome, California, 1960
by Ansel Easton Adams 
(February 20, 1902 – April 22, 1984) was an American photographer and environmentalist, best known for his black-and-white photographs of the American West, especially in Yosemite National Park. One of his most famous photographs was Moon and Half Dome, Yosemite National Park, California.


Abraham Lincoln, 1860
by Mathew B. Brady 
(May 18, 1822 – January 15, 1896) was one of the most celebrated 19th century American photographers, best known for his portraits of celebrities and the documentation of the American Civil War. He is credited with being the father of photojournalism.[1]

 Emmett Till 1955
by David Jackson
The murder of Emmett Till, a 14-year old black boy murdered in Mississippi in August 1955 sparked the Civil Rights movement, but the crime won’t caused a nation to awake if not for the above photo. The gruesome photographs of Till’s mutilated corpse however circulated around the country, notably appearing in Jet magazine, which targeted African American crowd. The photo drew intense public reaction.